| Description: | Batel colotomy (1:02)
Gamelan Adi Merdangga (1:30)
"Traditional" beleganjur style, ngaben procession (2:27)
Malpal, ngaben procession (1:15)
Kreasi-influencedbeleganjur style, ngaben procession (9:06)
Gilak colotomy (:24)
Reverse gilak colotomy (:34)
Bendâe part as"colotomic counterpoint" (:24)
Inverted pyramid of rhythmicactivity (:48)
Reyong figurations (reyongan): noltol, ngubit(long), lambâe in "unison" texture, ngubit (short) (1:16)
Angsel bawak (:17)
Angsel lantang (variant) (:20)
Batu-batu (:34)
Kilitan cengceng (:23)
Gamelan gong,ngaben ceremony (3:40)
Gamelan angklung and gamelan gambang,ngaben ceremony (2:52)
Gamelan luang (gamelan saron),memukur ceremony (1:35)
Beleganjur, memukur procession (3:30)
Kreasi-style awit-awit drum introduction (I KetutSukarata) (:45)
Kreasi ensemble introduction: openingrangkep (I Ketut Gedâe Asnawa) (:36)
Kreasi ensembleintroduction: opening rangkep (Sukarata) (1:30)
"Tabuh PatJagul" (arranged by I Wayan Beratha) (1:04)
"Jagul"drumming, kreasi beleganjur (:40)
Lagu pengawak of"Beleganjur Angga Yowana" (Asnawa) (:35)
Pengawak,"Beleganjur Angga Yowana" (Asnawa) (2:29)
"Double-time"cymbal patterns in the Pengawak of "Beleganjur Angga Yowanna"(Asnawa) (:29)
Cymbal patterns in the Kawitan of "BeleganjurAngga Yowana" (Asnawa) (:21)
"Wira Ghorava Cakti '95'" (IKetut Suandita) (6:18)
Kecak-inspired cymbal interplay(Suandita) (:21)
Jejagulan (Sukarata) (1:16)
Foreigninfluences: Pengecet, "Beleganjur Padma Mudra" (Sukarata) (3:02)
Beleganjur contest demonstration performance,complete (Sukarata) (7:51)
Conclusion of "Beleganjur AnggaYowana" (Asnawa), including unconventional cymbal techniques(5:07). | |
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co-funded by the European Commission